I am a huge believer in synchronicity - of multiple moving parts, seemingly unconnected but coming together in space and time to a particular end. Some may say that this is all coincidental and that there is no great plan in the overall scheme of things; or that one can be shaping the conclusion to suit the facts. I cannot comment on either of those two views but for me synchronicity has always had an air of inevitability attached to it. So it has been for me over recent weeks and in fact, going back over many years and including two visits to Corfu, two visits to Venice, two visits to Cyprus, two visits to Malta, three to Turkey and one to Crete. Probably even further back when you include being introduced to 18th century wargames in the first place at the former Newham Wargames club in the late 1970s as well the delights of the army and military history of the Sublime Porte, courtesy of Eric Knowles.
I have always been attracted to wars or parts of wars that are not in the mainstream and so when anybody says Marlburian then straightaway thoughts of British, Dutch and French armies automatically spring to mind. For me it is the same thing with the Seven Years War - Britain, Prussia France and Austria first with everything else following up. I prefer the wars on the periphery - not necessarily smaller than the main theatres but, well, different. The armies are usually off balanced for one thing - meaning varying quantities of troop types as well as differing tactical considerations. For me this makes for a better game as both sides have different tools to use.
I now have an Ottoman Turkish army suitable for the later 17th and 18th century. I politely declined the offer of Eric's painted version simply because armies of that scale (we are talking about thousands of figures) are no longer part of my gaming universe. I would never be able to use all of it and storing it would be beyond my resources. I toyed with taking a representative selection of figures from the collection - my standard 150 figures an army - but decided against this as the collection should remain intact for those that have more space, time and money than I.
The unpainted version is not as large but still tops out at over a thousand figures and includes Dixon, Essex, Foundry, Hinchliffe and Minifigs. The weakest portion is the cavalry as this virtually all Minifigs and so does not sit well alongside the infantry at all. It is no matter as I shall acquire what I need from elsewhere. I have selected the figures I shall be using and will make the final 'cut' once I have checked out a few sources.
What of the opposition? What do you plan to do with this lot? Well, and here comes the kind of synchronicity part, I have been looking long and hard at Eric's collection of unpainted models and have tried to work out what his plan was. I have no idea but it has crystallised a long dormant idea that resurfaced last year upon my return from Corfu.
The latter half of the 17th century and the early part of the 18th saw the Republic of Venice fight the Turks on a number of occasions. Ultimately the Turks were able to secure most of Southern Greece from the Venetians and indeed, it could have been a lot worse had the Austrians not come to the aid of Venice in 1716. The final war of 1714 to 1718 - the Second Morean War - ended with Venice becoming in effect an Austrian vassal and the Turks ceding territory to Austria. The Turks kept much of the former Venetian Greek territory.
Eric had raised units for Venice for the period as well as a number of other Italian units as the armies of the Doges relied on the use of mercenaries alongside their militia and small number of regular units. The Turks had their usual core of Janissaries and Sipahis supported by locally raised volunteers and levies. The Austrians was a small regular army supported by the border forces of Croatia and similar.
It would be tempting to equate Eric's Venetians and Austrians with his imagi-nations of Umbriago and Bustenberg respectively but I have no certainty of this.
My plan then, is to raise in addition to the Turks, three other representative forces for the period - Venice, Austria and Russia. These will be of a similar size to the Turks so 150 figures will be the order of the day. Taking some 600 figures from Eric's unpainted lead mountain will barely scratch the surface and in fact represents probably less than half a crate of figures.
If I am honest this idea may well have never seen the light of day were it not for the fact I am sorting through Eric's lead mountain and to be frank, it was simply too good an opportunity to pass up on as pretty well everything I need is right there.
I had never planned this, nor was the prospect of painting new style 28mm figures for the 18th century something I would have looked out for but, and this is the important part, many of the figures - particularly the Turks - lend themselves nicely to the old flat colours and dip approach which even I, with my well known pathological aversion to painting anything organic, can manage.
Of necessity I will need to invest in some material to support this project but surprisingly not to any great extent. I currently reckon around half a dozen books, a selection of bases and a number of cannon. For rules I have not really given much thought beyond The Pikemans Lament although I may take a look at Donnybrook. The Portable Wargame would work well or I may even take a look at something specifically Marlburian - perhaps even Maurice, about which I have heard many good things although the number of figures I will be using may be too little.
Carpe Diem for sure but with a long and convoluted ribbon of synchronicity wrapping it all up.